My work is fueled by the tension between contemporary digital manufacturing tools, and traditional metal-craft skills and materials.  I am drawn to the sublime sleek, alien, and morphological industrial design surfaces as well as the sticky and amorphous structures of the organic world.

My current work is situated in the fuzzy boundaries of subjectivity, individualism and rational design intent. My forms manifest as utilitarian objects for the table and body adornment that frame structures such as maps and the mobility of bodies, both literally and figuratively.